VI BASIC-PRESETS


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Content
Introduction
Fact 1 > The problem is, that you need a "good" organisation of all the used keyswitches with the new Vienna Instrument.
Fact 2 > You played a melody with the VI-trumpet. Later on you prefer to play the melody with a flute. The question is: "Which keyswitches did I use for the trumpet?"
The frustration > Perhaps you have lost the notes about all your trumpet keyswitch settings. Starting at square one again. What a pitty!
The Solution
Create general - EQUAL -presets for all your instruments.
Take the most used samples which are (more or less) available for
each instrument.
I did it as well for the most of my instruments...
The Advantage
All the keyswitches are congruent for the same articulation. Therefore you can exchange your instruments when ever you want. This works specially in a good way within the instrument groups. If you didn't use the instrument group's additional keyswitches then you could even choose and exchange instruments from other groups.

Demo Melody
Keyswitches
Listen to the melody with the Oboe
I changed the instrument after the Oboe...
Even if you transpose the melody for the Viola or the Cello it will work.
...but don't transpose the keyswitches...
Download:
Keyswitch Basic Org. Instr. Exchange mp3 [1'647 KB]
Oboe / Chamber Violins / Flute / Solo Viola / Solo Cello / Basson Ensemble (3)
Basic Presets
Here is an idea for such Basic Presets. Collect the most used samples for them.
RAM: 200 - 400 MB per Instrument
The meaning is, that you load up only one articulation per matrix. (No more keyswitches for the navigation within the matrix). A preset - as you can see below - contains the "really every time used" sample articulations.
Such presets are good
- for larger arrangements
- for arrangements with lots of opened instruments
- as a starting point.
If you want to save even more RAM-space: Leave out the legato-articulations.
Feel free to create your own Basic Presets.
Yours
Beat Kaufmann
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